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ORIGINAL: BadJohn

As you all know, the Ball Dance consists of needles or hooks inserted through a person's body and weights attached to them by cords.  The person then dances and whirls letting the movement of his or her body make the weights tug on the temporary piercings.

I've found a new approach.  I inserted two fish hooks through one of my partner's nipples and then attached rubber bands to the hooks.  I started the penultimate movement of Modest Mussorgsky's Night on the Bare Mountain.

I just held the elastics as she began to move back and forth in time to the music.  As she became more sure of herself, she leaned back to take up the strain.  Then, she began to circle me.  I was careful not to increase the pull but to let her control her own stimulation.  She pulled back harder and we began a series of spirals the became faster and faster in time with the music.

In the beginning, she was looking into my eyes, but soon she was looking beyond me, eyes glazing, lips apart.  At several peaks in the music, she jerked backward, gasped and reversed direction.   When the music stopped, she gracefully dropped to the floor.

I clipped off the barbs and removed the hooks, refreshing the antibiotic and putting a pair of adhesive pads on the punctures, which had begun to bleed a bit more than regular temporary piercings.

I carried her to the futon and we cuddled for a long time.

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ORIGINAL: Archer

Generally I recomend grinding off the barb before the piercing because sometimes hooks strraighten out under stress.

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Generally I use 12 Ga Stainless hooks that have been autoclaved and not through the nipple but rather through the skin of the upper chest back as well as some other areas of the body.