SusanofO -> RE: Musical theatre and Sexual Deviants (4/24/2006 6:07:28 AM)
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ORIGINAL: ladychatterley I was using deviant in the denotative meaning. According to dictionary.com de·vi·ant (d v-nt) adj. Differing from a norm or from the accepted standards of a society. n. One that differs from a norm, especially a person whose behavior and attitudes differ from accepted social standards. I don't think there is much question that most of wiitwd differs from the norm. Personally, I find the norm on many, many things pretty darn toxic. It is true that the word has negative connotations. Interesting question lady chatterly. I too, think it's interesting to find out from people what their interpretion of "the" norm, a norm, or under what circumstances whether what they may perceive as "the norm" matters. Personally, I like to sing - and was in a local production 3 years ago of Pirates of Penzance and this year am in my town's local symphonic chorus. I don't think (for me), there is much connection but - think it's a very interesting theoretical question all the same and am glad you asked it. I suppose some in any community would think the character Christine in the play and movie The Phantom of the Opera is submissive (and in some connotations of bdsm community, that if she'd been a "true" slave" she would have run off with The Phantom vs. being rescued by Raoul (her long-lost "boyfriend")? That play, Phantom of the Opera insinuated that Roaul was Christine's "boyfriend/lover", BUT (to me) - that interpretation was really left to the imagination of individual audience members. I never thought the audience got to find out much about Raoul, when I saw the movie or the play. To me- it would be up to the characters Raoul and Christine (or Christine and The Phantom, had Raoul not intervened in the nick of time and "saved" her from the The Phantom), to decide if that's a "true" interpretation. To me, The Phantom was portrayed in that play as a "sympathetic character" - BUT - In the play and the movie it seemed to be left up to the imagination what would have happened if Christine had simply said: "I don't want to be saved by you Raoul" and stayed in The Phantom's dungeon - to be made into an expert musical soloist and please The Phantom's whims (and delight in that as much as if she'd done that for Raoul (of course Roaul could have payed for her singing lessons, and, maybe she didn't want to live in a sewer) - BUT - for the more literal minded who might read this, I'll qualify that by saying I believe it's all relative; that I believe one person's figurative "sewer" is another's luxurious castle. SO - Christine could have perhaps enjoyed The Phantom's company so much she would have ended up not caring about the rats - (The Phantom seemed to have those under control, when I saw the movie and the play, he'd seemingly made himself pretty comfortable in his "underground hideaway" and seeemed interested in capturing Christine's mind, heart and soul even more than Roual (and am speaking figuratively, referring to these characters as I saw them portrayed onscreen and onstage, when some people knew much less about how to decrease toxic atmospheric gases). lady chatterly: I am going to NYC for 2 days on my way to Europe at the end of May and notice you live there; two of the 10 folks I am going with have visited NYC several times and say the London version of Phantom of the Opera is much better than the NYC version (I know the NYC version has been playing in NYC a long time now). Am wondering what did you think of the NYC version (if you've seen it). I am undecided and have never been to NYC - any opinion by anyone who has seen the NYC version of The Phantom of the Opera would be appreciated (e-mail me on the other side if you have an opinion of NYC version of The Phantom you can share). Am NOT trying to hi-jack this thread, btw and think it's an interesting question lady chatterly posed. - susanofO
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