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rulemylife -> RE: Why is UM molester Ted Nugent embraced by rightist media? (7/8/2010 7:43:56 AM)
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quote:
ORIGINAL: JstAnotherSub
He sure has had a lot of hits for someone who had their career ruined.
Look up his history and compare his career before and after the marriage to his cousin.
Here's a start for you:
Jerry Lee Lewis - Wikipedia
Lewis's turbulent personal life was hidden from the public until a May 1958 British tour where Ray Berry, a news agency reporter at London's Heathrow Airport (the only journalist present), learned about Lewis's third wife, Myra Gale Brown. She was Lewis's first cousin once removed and only 13 years old. (Brown, Lewis, and his management all insisted she was 15). Lewis was nearly 23 years old. The publicity caused an uproar and the tour was cancelled after only three concerts.
The scandal followed Lewis home to America, and as a result, he was blacklisted from radio and almost vanished from the music scene.
Lewis felt betrayed by numerous people who had been his supporters. Dick Clark dropped him from his shows. Lewis even felt that Sam Phillips had sold him out when the Sun Records boss released "The Return of Jerry Lee", a bogus "interview" cut together by Jack Clement from excerpts of Lewis's songs, which made light of his marital and publicity problems. Only Alan Freed stayed true to Jerry Lee Lewis, playing his records until Freed was removed from the air because of payola allegations.
Jerry Lee Lewis was still under contract with Sun Records, and kept recording, regularly releasing singles. He had gone from $10,000 a night concerts to $250 a night spots in beer joints and small clubs. He had few friends at the time whom he felt he could trust. It was only through Kay Martin, the president of Lewis's fan club, T. L. Meade, (aka Franz Douskey) a sometime Memphis musician and friend of Sam Phillips, and Gary Skala, that Lewis went back to record at Sun Records.
By this time, Phillips had built a new state-of-the-art studio at 639 Madison Avenue in Memphis, thus abandoning the old Union Avenue studio where Phillips had recorded B. B. King, Howlin' Wolf, Elvis Presley, Carl Perkins, Lewis, Johnny Cash and others, and also opened a studio in Nashville. It was at the latter studio that Lewis recorded his only major hit during this period, a rendition of Ray Charles' "What'd I Say" in 1961.
In Europe other updated versions of "Sweet Little Sixteen" (September 1962 UK) and "Good Golly Miss Molly" (March 1963) entered the Hit Parade. On popular EPs, "Hang Up My Rock and Roll Shoes", "I've Been Twistin'", "Money" and "Hello Josephine" also became turntable hits, especially in nascent discothèques. Another recording of Lewis playing an instrumental boogie arrangement of the Glenn Miller Orchestra favorite "In the Mood", was issued on the Phillips International label under the pseudonym of "The Hawk," but disc jockeys quickly figured out the distinctive piano style, and this gambit failed.
Lewis's Sun recording contract ended in 1963 and he joined Smash Records, where he made a number of rock recordings that did not further his career.
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