TotallyDude
Posts: 184
Joined: 1/30/2011 Status: offline
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quote:
If we narrow (restrict, limit, reduce, confine, focus) the range (variety, choice, series, assortment, array, sort, collection) of words (expressions, phrases, language) we use (employ, utilise, exercise, apply, exploit, draw on, avail ourselves of) do we risk (endanger, imperil, expose, chance, hazard, gamble, stake) losing clarity (clearness, lucidity, simplicity, precision, intelligibility, transparency)? [Thank you Roget] And does it matter? One could use any of the synonyms above in its appropriate place and convey pretty much what I wanted to communicate. In the interest of quibbling, old boy, one hastens to note that although the literal meaning may more or less be preserved through the process of trading in and out synonyms, the style would suffer and the connotations would change. For example, if I read a memo that opens "If we focus the variety of expressions we employ..." I'm thinking "Okay, some bland corporate dork is giving out bland orders from corporate about watching what we say in x situation..." but if I read one that opens "If we restrict the choice of language we utilise..." then I am thinking "Oh look at the jackbooted dude with the MBA who just can't wait to pass along fascist dancing orders from the fascists at corporate...he loves this stuff and should be the first against the wall..." I'd say there are relatively few situations in which one's sole aim is to communicate information. We use language to seduce, to intimidate, to entertain, to obfuscate (Well, darling, that's a funny story...), to persuade, to dissuade, to play for time, to play at heartstrings...and in all these cases connotation is a robust element in the process of communication. Why would one settle for the blander, more barren world of a diminished and desiccated lexicon? One final note--There is no law that says elegance is always ostentatious or that antiquated conventions of grammar and rhetorical style must always be slavishly obeyed. There is an undeniable aesthetic appeal to some of us to the bedazzling bombast of Waugh and Walpole and Johnson (via Boswell) and there's much in Shakespeare and Donne and Milton to keep us warm at night; but language and style evolve and grow and beauty presents herself in myriad ways. As Jangles might have said to Pickwick, "Which I mean ter say, boss, is I've come across plenty of homeboys in Brooklyn with dreadlocks and a syrupy patois who can work the language in ways old respectable bald heads forgetful of their sins would only be able to envy."
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The Dude abides. Fortune and glory, kid, fortune and glory.
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