ChatteParfaitt
Posts: 6562
Joined: 3/22/2011 From: The t'aint of the Midwest -- Indiana Status: offline
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quote:
ORIGINAL: Ishtarr quote:
ORIGINAL: MaxsBoy quote:
ORIGINAL: ChatteParfaitt Many people do not know it, but one of the first things you learn when undertaking belly dancing is that it is not done for men. This is a dance for the female who does it, to celebrate her existence, her femininity, her sexual attraction. That men love to watch it is an added perk. That's exactly it, except for the last sentence, in my case. I have been bellydancing for about ten years, and was taught from the beginning that it is not about sex or looking hot for your man, and to perform for those reasons is disrespectful to the dance. Dancing specifically to look sexy for someone else just isn't something I can do. When I dance it is to help me feel more centered and connected with my own spirit and with the energy of the world around me, or as a kind of sacrifice to Kali. That (to answer someone's question earlier in the thread) is what I mean by "sacred". Of course ymmv, and not everyone here is even talking about bellydance. American women seem to be the only ones in the world who actually know about this "sacred woman art" of belly dancing that can't be seen by men. It was done to commercialize that style of dance in the US by getting women to believe it could also be non-sleaze form of self-expression. Don't get me wrong, I have nothing against people who want to use belly dancing as a form of Goddess worship and self-expression that's not centered around female sexuality as a service to men. However, claiming that this is the origin of the tradition of belly dancing is historically wrong. The tradition as belly dance as a form of Goddess worship was made up by modern day American women, ignoring the fact that historically this form of dance has always been linked to prostitution and slavery. quote:
http://en.wikipedia.org/wiki/Belly_dance When belly dance became popular in the United States during the '60's and '70's, teachers sought to distance the dance form from the sleazy reputation it had developed in vaudeville and burlesque, by developing "ancient origin" theories for the dance, emphasizing a woman-centered background, ideally associated with Goddess worship, popular in feminism at the time, or childbirth,[4] and de-emphasizing traditions associated with erotic entertainment and prostitution.[5] The supposed connection of bellydance with motherhood and childbirth is based on an account in the highly romanticised autobiography The Dancer of Shamahka (1918, trans. 1922), by Armenian dancer Armen Ohanian. Ohanian presents a romaniticized vision of the Orient and takes an antimodernist and anticolonialist stance, berating the "desctructive breath of the Occident" for ruining the "primitive purity" of "olden Asia".[6] Sorry, Ishtarr, wiki is not necessarily your friend. Belly dance has it early roots in the pagan matriarchal fertility goddess. Tribal peoples throughout history have been fascinated by the female ability to create life. These early fertility dances were symbolic recreations of childbirth and a way to celebrate this ability. "The sharp hip movements, deliberate muscular contractions and spasms, as well as sinewy undulations, demonstrate strong connections to the body's responses during labour and delivery." from wordbellydance.com
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