agirl -> RE: My second time giving up.. (1/10/2012 6:13:09 PM)
|
quote:
ORIGINAL: Jaquin So after my second 'real' bdsm session, in where I'm tied up in various ways without doing it myself - or instructing others how to do a knot [:'(] - and I'm finding that, even though I've always identified as a submissive, that I have to fight with myself to not start blabbing about "this or that" that I'd like changed. I'm so used to doing photos and bondage all my own way, and I can be sure that I'll at least be somewhat satisfied with the way things turn out. But today, sitting there all helpless and blind knowing pictures were being taken it was difficult to just give in and sit there (hopefully) looking sexy. I also tend to be OCD some, I like symmetry in things and it bugged me that the crotch strap for the straightjacet slid to the side - and that my mentioning it kinda bugged me only made him resolve to leave it there *pouts*. Darn you Doms! [:-] I get this vision in my head about what I'd want a picture to come out looking like and it just bugs me when I can't check it and adjust as needed per shot I just have to hope they do it the way I want. It's so easy to sit there and let him take my arms and hold them tight in place while he cuffs me, but so hard to let go of how I end up looking. Of all the issues you could think of for giving up control I never thought I'd struggle with how my pictures look. Is it to picky of me to want pictures a certain way? Ok, it was your second *real* bdsm session. I gather that you've controlled much of your scene, tying-up, what, and how pictures were taken, until then. You're used to *photos and bondage* being all your own way that maybe you left out the submission bit? Or you may be terribly consumed with pictures and rather *absent* from the scene itself. Have you ever thought of just doing all this stuff without a camera? Just doing it for the pleasure and experience of it? No record. What would, or wouldn't, bother you if no-one was there, nor ever would see the experience? agirl
|
|
|
|