Aneirin -> Racial Dilemma ? (10/27/2009 4:55:34 AM)
|
I am at college studying for a BA in applied arts, my specific area of interest being metalwork, so both jewellery fabrication and forge work. I have an interest in chains, well, rather the metal from the chains, my current stuff possibly over 300 years old, so handmade forged and fire welded links of true iron. I source this stuff from an estuary, where it is known hundreds of wooden vessels have been left to rot there after they have passed useful life, the place still is being used for that now,with end of life fishing vessels but I find the chains in the mud near where I have researched the wrecks lay before all the timber has rotted into nothing. My interest with this iron, is jewellery making, because it doesn't rust easily, due to silica in it's composition. But chains still interest me, they always have, especially rusty and corroded chain, the likes that has rotted down to the organic and woodlike grain structure, something difficult to describe, except for the fact that the metal looks like bone in some cases and natural grown wood in other cases. The dilemma I have, is a friend, a middle aged black woman, who studies sculpture, and excellent she is at it too, in her chosen field of interest. My interest in chains I know annoy her, when I ask why, I get the slavery bit, which I do understand, but, not at the same time. I do understand what slavery was, and I agree it was wrong, but I don't understand why my friend feels such outrage and anger still. I suggest she might like to move on away from the negativety of slavery, but this just releases a torrent of, but you're white and all the connotations with it, the guilt attack, but why, I don't understand, in this present age. My friend has suggested the chains I find, given their assumed antiquity, might be slave chains, my thoughts, hardly, as the run out from shore to mud, so likely anchor chains, and I even ventured the suggestion that if they were what she thought, what a better use to turn something of misery into something of beauty to be worn as choice dictates, perhaps a neutralising affect, replacing the negativity with positivity, but, they are anchor chains, not slave chains. So, the problem I have is a black friend whom I don't want to upset and offend, purely by the fact I just don't get it, or is it she doesn't get it. In college critique sessions, my chain art is discussed as to what my origins of thought are, and what I am trying to say, the usual artyfarty bollocks, but, it is an art college and if I am engaged in art, then I am going to have to engage the critique stuff too, but the reality is,my interest, is decay, nothing more. In the critique sessions, the Black slavery issue always comes up because of the chains, this puts my friend on the defensive, and to be perfectly frank, I am fed up with defending my specific interest, because of history, chains though they are a symbol of Black slavery, they are also used for other things, like stopping ships going onto rocks. As it is, my friend, here specific area of interest, is black women, all her fantastic sculptures are the same subject, she has no interest in anything else. Art, is used by many for many things, but my intention is not to offend anyone, but to produce decent items of jewellery that people might like to buy and wear. I consider myself not racist, but there is many things I need to understand, this issue with my friend is perplexing me, I don't want to keep my art from her, to save her feelings, but at the same time why shouldn't I pursue this interest. I guess I can't please everyone all of the time, I know that, but I just don't undestand why someone should get so touchy about this issue, it is gone, the past. Can anyone offer any suggestions which might answer or at least go some way to easing the situation I have with my friend ? ******** Please, I do not wish to start a contentious racial conversation on this issue so please do not let that happen, as all those things do, is create more negativity and confusion. I wish only to understand where I do not understand, and that is all ********
|
|
|
|